Strands of Pop-Cultural Criticism and Literary Fiction | Analysis, Editorials, and Reviews | Resources for Teachers in Humanities | Home of Glas Daggre Publishing, featuring new children's story-sketchbook Cranky Bear Wakes Up
Irish author, Twitter phenom, and friend to indie writers Laurence O’Bryan has graciously hosted a post by Shawn StJean on the topic of literary vs. commercial or genre fiction, as part of his great “Emerging Writers” series.
It was inevitable, after over forty years since Romero’s Night of the Living Dead revived (inapt metaphor) and morphed the voodoo-animated monsters of the early 20th century into our beloved, modern brain eaters, and countless “B” movie,”B+” movie, and parody entries into the genre, that Hollywood would throw some serious weight (a.k.a. money) into a blockbuster Zombie movie: World War Z.
So I think the time ripe for me to debut a series of articles I’ve been planning for awhile, to dig deeper into our fascination with certain recurring figures from the collective unconscious. Why can’t we get enough of these creatures, monsters, plot-types, and villains? I’ll begin my analysis with the two most popular at this cultural moment (you guessed it: zombies, and then vampires, in my second effort.)