Weapons For Writers

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To compare the act of writing to doing battle might seem hyperbolic, but I do think the difference is one of degree, not kind.  It’s amazing, the widely varying and sometimes adverse conditions folks write under–mothers fit it in during nap-time, others dictate in the car, longhanders still do exist, and I even know one fellow who can’t do without the clackety-clack of an ancient, manual typewriter.  My own novel was composed in at least a dozen separate locations.

Yet we authors can be our own worst enemies.  A little planning is worth a lot of execution.  There are a few items–physical gear, and otherwise–I would deem essential for every writer (besides some raw talent, or as the author of Beowulf put it, a well-stocked “word-hoard,”) that will aid in deflecting the incoming flak.  It’s instructive to reflect on how similar the support needs of writers and soldiers often are.

A warm, soft pair of socks–no holes.  There’s a reason someone once equated nervousness with “cold feet.”  Currently, my personal favorites are a pair of thick wool Carhartts–but then again, I live in upstate New York.

Chair.  Not too comfy, but with good back support.  Arms help, but a recliner will put you to sleep (the writer’s curse is to sleep always at the wrong time).

Cold water is best, but a continuous source of hot drinks works.  Choices?  As Giles on Buffy, the Vampire Slayer once stated a request for coffee, “No, tea is soothing. I wish to be tense.” (and if you notice a motif of “heat,” in this list, it probably has to do with poor circulation from all that sitting.  Remember, the blood must be kept flowing to the HEAD.)

A selection of light reading–NOT your own, or even similar–by the bedside, to help battle insomnia, and get rested.

As Virginia Woolf said, a room of one’s own is essential.  But sometimes they beat on the door.  Two or three alternate places to write–hopefully at least one outdoors–and a laptop computer or stack of yellow legal pads, for portability.  As with your body, keep your temperament flexible.

Small notebook or e-device for jotting down inspirational ideas that strike you while stuck on the march.

Not everyone gets writer’s block (symptoms can include tiredness, cabin fever, headache, anxiety) and there’s certainly no cure-all.  For me, a good walking trail or other means of stimulating, physical exercise does wonders, even if you can only manage twice weekly.

Dictionary–online, paperbound, whatever–if you think you don’t need one, you’ve outsmarted yourself.  Or you’re a writer who doesn’t do much writing.

A work ethic–even 1/2 hour per day, every day, will get the job done eventually, and planned days off are a good practice.  Otherwise, hit those keys on a strict, regular schedule you can really keep.

Procrastination and distraction are greater enemies than lack of time in the first place.  So, as damned hard as it might be, at first, notice the “off” switch on your wi-fi, cell phone, TV.  USE THEM.

A sense of humor, patience, and perspective.  Somehow, you already came to the decision to write, to nurture your own soul, rather than swell someone’s purse (your own or someone else’s)–and if you’ve actually begun writing, you’ve overcome the two most fearsome obstacles.  That poem, story, article, or novel may never see wide circulation, or even publication—but cherish the experience, the doing—because you really are enjoying a privilege.  Here I shift the metaphor I began with, because writers don’t destroy, after all; they maintain our culture, and they create it.  And as Robert Pirsig so insightfully phrased it, “The motorcycle you’re working on is yourself.”

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Stuffs Indie Writers Do, or Ten Eccentric Behaviors of Self-Published Authors

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Feel free to add your own in the comments section!

 

Surpass, in creativity, even your best passages by the means of procrastinating the writing of them.

Check e-mail, with a feeling of hope, 7X in the morning, review venues 3X, sales figures 1X, social media in reverse-proportion to how much drafting/editing you’re actually getting done.

 Keep a tab of dictionary.reference.com constantly open to make sure you just used that word from deep in your vocabulary correctly.

Revere hot beverages as the nectar of the gods, in a vain attempt not to gain weight from so much perching over a desk.

Know by experience which works better on you: aspirin, ibuprofin, acetominofen, or whiskey.  As a famous author once told me, “You don’t have to be an alcoholic to be a good writer–but it certainly seems to help!”

Even though you’re a throwback, you become conversant with software you never thought you’d touch with a ten-foot finger.

Own a keyboard that has survived the crumbs of your entire dietary menu, as well as a few spills, and which therefore openly disgusts everyone but you.

Perseverate over whether that word you “kinda” coined will make it past the editor, even if it’s you.

“Give away” books at a net cost to yourself of minus $xxx, yet still claim “Books sales are getting better.”

 

Meet people and make friends you never would have, in all parts of the world, otherwise.

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IndiePENdents Membership, and Clotho’s Loom now at KoboBooks

http://www.indiependents.org/member-books.html

https://www.facebook.com/theindiependents

A friend suggested I apply for membership with this wonderful, young, not-for-profit (501(c)3) consortium of Independent writers and authors.  Their goal is to create a more open marketplace–better placement in libraries and bookstores, for example–for legitimate self-publishers and their books, by vetting them through a peer-review process that to me resembles the one for university press books and academic journals.  In essence, it’s like a literary agency outside the exclusionary, traditional publishing establishment, and their message is “Hey, these are books that are just as real, and meet as high a standard, as anything produced by that establishment” (my paraphrase).

These folks run on volunteer labor, and it’s not even easy to find out how to send a donation.  If you’re an independent author/publisher who would like to belong, I urge you to check the box to act as a volunteer reader for them, as you apply.  Like Public Broadcasting, groups like this can’t exist for long running on the steam of a few individuals; they require cooperation from the membership.

Speaking of visibility and discoverability of e-books, Clotho’s Loom has joined the ranks of KoboBooks.  These good folks are another outfit we can all be grateful for, in the ongoing struggle against monopoly (or effective monopolies composed of several entities) in the commercial publishing world.  Like Smashwords, they also offer downloads in a variety of reader formats (unlike some, who tie you to a proprietary platform or device.)

http://www.kobobooks.com/ebook/Clothos-Loom/book-9NMYW3POeki2EgvqUPm2Tw/page1.html?s=b1z4U_dBm0WsTrOM805pLg&r=1

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StJean’s Interview with Novelist Alana Woods, Australian Author of Imbroglio and Automaton

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Alana Woods, author of Imbroglio, with one of her UK grandsons, with Sydney Harbour Bridge in the background. The Hyatt Hotel where Noel Valentine has dinner with her boss William T Hall is tucked under the bridge, far side left.

After reviewing her book a few weeks back, I was fortunate enough to catch author Alana Woods with a few minutes to share her thoughts on writing, and her native Australia (where Imbroglio is set).  She was even kind enough to send along some snapshots of locations used in her latest novel.  Ms. Woods has plenty of experience in the craft, and has even published a handbook, 25 essential writing tips: Guide to writing good fiction.

Your title seems a bit risky in the marketplace, given that it’s not a very common word.  I, for one, had to look it up.  Given that the cover helps suggest the genre, can you offer  more than the dictionary definitions some reviewers are?

My first thought is that it intrigued you enough to look it up, which means you took the time to investigate at least that far into the book. Then you bought it. What more could I ask for from readers?

But to answer your question, I’ve found the two explanations that satisfy people who ask are firstly the dictionary one of ‘A complicated affair’. The second is  my pointing out of the maze on the cover and saying that the situation the main female character find herself in is one she’s going to have great difficulty finding her way out of, hence the maze to illustrate the theme.

It seemed to me the real strength of Imbroglio was the deep psychology of the major characters.  I recall a scene in which Noel Valentine is performing an everyday action to the extent of hurting herself, but not stopping.  Is she a masochist?  Or are some other forces driving her?

I’m so pleased you say that about the characters as I think of myself as an author who writes character-driven novels. Which scene in particular are you talking about? Because the whole story is about her trying to resist self-destruction while also seeking it. She isn’t a masochist; she’s being driven by wanting/not wanting to exist. Very primal. Therefore it’s impossible for her to avoid hurting herself.

I’m a classic literature nut, so certain elements of David, your male protagonist, reminded me more of Hamlet than of the thick-skinned tough guys it often takes to survive alongside thieves and murderers.  Why not give readers what they expect?

Again, I love that you think he’s complex.

But isn’t that, really, what readers want. They may expect the usual stereotypical treatment but they love it when they get more. I’ve had people go to the trouble of emailing me—I’ve even had phone calls—to tell me how much my characters, or a particular one, has affected them. To the extent that they think about them for weeks after finishing the book and to the extent that they’ll read it again for the pleasure of being in that character’s company again for a while. Love that. J

You hail originally from England, correct?  What should everyone from the Northern Hemisphere (or at least readers of your books) know about Australia?

I was born in Leicester in the UK midlands but my parents emigrated to Australia when I was four. Everything in the tourist ads are true—as they are of every country to some extent—but there’s so much more. Australia is diverse and real, as are its people, so expect the country and its folk to also have faults. I kid around about wanting to live in other countries—check out my Amazon bio which says I’d love to buy a masseria and live in Puglia, Italy—but if being able to bring the world into your living room on the nightly news has done anything for me it’s to reinforce that Australia is one hell of a good place to be. Other than to escape floods and bushfires there’s no risk of having to leave your home because of danger, you can drink straight from the tap, emergency services respond to your calls; there’s a general good work/life balance, there’s crime but overwhelmingly you’re very safe, and the country is so big you can choose what kind of climate you want to live in ranging from snow and sub-zero temperatures to the tropics. Take your pick!

PS: I live in Canberra, the nation’s capital. It’s endearingly referred to as The Bush Capital because it is so treed and has a lot of nature parks. My house backs on to one and I get kangaroos peering over the fence at my vegetable garden every morning and evening. So far they haven’t been tempted to jump in for a tasting. What’s not to like. J

A few of your “bad guys” struggle to be totally bad (I’m thinking of Walter, but he’s not the only one.)  This is less expected than when good guys struggle to be good.  Are you some kind of sentimentalist about human nature?

Sentimentalist? Definitely not. At the risk of repeating myself, the nightly news disabuses me of the inherent goodness in human nature. No-one is perfect, including the best of us, so I’d put money on even them slipping up occasionally. As for the bad guys—ruling out the truly evil—I believe there are things that would give them pause for thought or have them examining their consciences. So to have my bad guys thinking twice about doing something, or having regrets, is part and parcel of characterisation for me.

It’s been roughly ten years since you published your first novel, Automaton, while managing to bring out a collection of short stories and some other material in between.  Tell us how either your experience of writing or publishing (or both) has changed in this volatile decade.

Shawn, you make it sound like I’ve been busy with the writing but I have to say I feel very guilty about the time I spend away from the keyboard. Life gets in the way, as it does for everyone, but I’m not good at ignoring it and getting on with writing.

But the biggest impact on both my writing and publishing has been electronic publishing. I feel safe saying many writers would place the blame very squarely there. I’ve been wanting to rewrite my third novel for two years but since I published AUTOMATON, IMBROGLIO and the others on Amazon I spend hours every day on the social media sites promoting them. I resist saying I’m addicted because I’m not doing it because I want to or because I enjoy it. It very much has a purpose. However, I’m going to try very hard to reduce the amount of time I spend on it so I can put some quality time into the next book. Famous last words? Hopefully not.

It seems that many suspense thriller writers are women, a genre that is not historically kind to its female characters.  Any comment?

Mm. Hadn’t thought of that before. Could it be, sensible creatures that we are, that we prefer vicarious danger to the real thing? Therefore, living it through our writing is an enormous amount of fun.

 

Alana Woods’ blog can be enjoyed at http://alanawoods.com/

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Night shot of Darling Harbour where Noel Valentine (heroine of Imbroglio) has lunch with Nick Donaldson and David sees her for the first time. Jordan’s, the restaurant, is towards the left, looking over the bridge. (courtesy Alana Woods, author)

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Day shot, Darling Harbour, Sydney (courtesy Alana Woods, author of Imbroglio)

Clotho’s Loom Paperback now at Barnes and Noble, and through local Booksellers

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In addition to Amazon, Clotho’s Loom by Shawn StJean has joined the millions of titles available from the B&N website (BONUS: as of today, at a 9% discount).  This means a couple of important channels of availability have opened up.  As it’s now listed in the Ingram catalog, the novel will begin appearing on many other online sites, for sale, soon to be optional in ebook form, too (end of January 2012).  ALSO, you can now walk into a brick-and-mortar B&N store, or about ANY local bookstore, and order the paperback through them. 

Search for ISBN 9781479271528 (this may work better than the computer-un-friendly name of “Stjean”

LINK: http://www.barnesandnoble.com/w/clothos-loom-shawn-stjean/1114065232?ean=9781479271528&itm=1&usri=9781479271528

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Triberr.com–Too many Chiefs, but a Boon for Bloggers

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I highly endorse this unique social networking platform–you may have heard stories about technical difficulties (and alas, some are true, but the crew over there are working overtime and will undoubtedly get them ironed out.)  I’ve only been a member for several weeks, so I can’t speak competently to that.  But I can say this “reach multiplier” is one of those services that, once it’s part of your routine, you wonder how you got by without it.

Essentially, you confer, share, and support other bloggers to get their content in shape and spread around the internet. Your blog’s feed goes into a “stream” that is available to everyone.  Folks from all walks of life, from chefs and their recipes to auto enthusiasts and cars, are welcome.  And it’s FREE, unless you’d like to pay for an upgrade.

Just the ability to scan hundreds of blog posts from all over the world, in a relatively short period of time and from one location, is of value that can’t be overstated.

Now, the learning curve: everyone who joins can start a tribe of their own, as Chief.  This means that everyone ends up in lots of different tribes, which can be a good thing, because it varies your interests.  However, I found I had to withdraw from my largest tribe, because the stream was just too constantly full of fish (so to speak,) for me to focus on my own, close mates.

So here’s my humble suggestion, or at least a report on how I’m endeavoring to use this network.  Unlike FB or Twitter, in which some folks strive to obtain hundreds and even thousands of “friends,” I think Triberr is best employed as a medium to make several, more intimate connections that will actually mean something.  I began a Tribe called “Fiction Afficionados” which is gathering a small international membership.  As the name implies, these are writers (as all bloggers are,) but we don’t limit to authors with books–just people who read quality stuff.  Indie stuff–non-corporate stuff.  Like literary fiction, which the big publishers apparently think won’t sell, judging by the shelves in my local bookseller.

I fully intend to cap membership at about 12 members.  Why?  Am I loco?  Well, I think we can accomplish more by staying tight and actually reading, reviewing, sharing, and supporting each other in a sustained way, rather than as a revolving-door outfit with a sea of faces.

To that end, if there’s anyone out there who thinks they may be a good fit for us, we’ve a few remaining seats at our campfire. It’s not the easiest bunch to belong to, because we’ll help you out, and we’re going to ask you to help us out. Loyalty counts–if you’ve ever seen the Young Guns franchise of movies, I’m talking “Pals.”

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Kiefer Sutherland, Emilio Estevez, Christian Slater, and Lou Diamond Philips prove that four deuces beat an ace, every time.

And of course, if your interests lie elsewhere (golf, anyone?), sign up and join, or lead, your own horde of maniacs!